Friday, April 19, 2019

Through Stained Glass: Good Friday



“Meanwhile, standing near the cross of Jesus were his mother, and his mother’s sister, Mary the wife of Clopas, and Mary Magdalene.” John 19.25b

Anyone who has attended a Good Friday service at the First Presbyterian Church over the past five years has probably noticed a piece of art.

It is the one with the Marys.

It is a black and white picture. Everyone is wearing black except for one of the Marys. It’s probably the mother of Jesus, but I like to think it is the Magdalene. What is so striking is that this figure is in white, and the artist has shown her overcome with grief and nearly collapsing. The pain she holds in her body is noticeable and unbearable. I daresay, when you look at it long enough, you feel her pain and torment in your body and soul, too. Off in the distance.. off to the right… is Golgotha, “the Place of the Skull.” The crosses are empty. The sky is transitioning—from light to dark. The agony, the pain, and the trauma experienced that day is palpable.

If I’m honest, the artist’s depiction of this scene following Christ’s crucifixion isn’t why I bought the artwork. In fact, why I did has very little to do with the depiction at all.

Look closely.

Closer.

Closer still.

You’ll see there is a crack in the glass. It cuts across the Mary wearing white. It cuts right across her heart, even. This blemish is why the artwork was 75% off. The store where I purchased it had placed under a sign that read, “Damaged.”

Sure, if there wasn’t a crack, I would have likely appreciated the artwork but kept on walking. But it was this crack in the glass that captured my gaze, and right there, in the middle of the store, I wept. This stunning piece of art that was once good enough for some hefty price was reduced and declared bad because of a crack.

Good Friday. The day Love was executed for doing just that… loving.

Good Friday. The day the Marys wept, and the day we weep at the many cracks in our lives.

Good Friday. The day—as Frederick Buechner puts it—that is anything but good.

Today is the day the people who know God through Christ have permission to give ourselves over to the sadness and the many tragedies in this world… and in our lives. Today is the day we can selfishly and selflessly name what grieves us. Today is the day we can name those moments when we ask, “My God, my God, why have you forsaken me?”

Today is the day we can acknowledge our humanness, because in the crucifixion of the Christ we can name the humanness of the Divine.

Don’t get me wrong, I know resurrection is coming. I know Mary Magdalene will be the first apostle and will bring the confusing good news to the men who denied and wandered away from Jesus in the hours he needed them most. But, I also know that in order for the good news to be good, we have to name the bad, weep with the bad, and sit with the bad…

… and perhaps, like the Mary in white… have the bad place its scar right over our hearts so that on the third day, we might see what resurrection, restoration, and redemption to our Spirit-beloved and God-created values shall be.

Thursday, April 4, 2019

Through Stained Glass: Who Are We--Everything


Guiding us this Lent is the question “Who are we?” On Wednesday’s we are learning what it means to be ourselves and to live as God created us to be. This is God’s desire for us—to be our true selves. To be our true selves, as we have discussed and continue to discover, means allowing God to find and reveal our true selves to us.  
            Did you know that in both the Hebrew and Christian scriptures, the heart is the place of divine movement where spiritual transformation occurs?
            The question asked of us a few weeks ago was, “What does this door to your heart look like?” I asked those participating to create a piece of art describing the door. Some used poetry, some painted pictures, and one even created a piece of music.
            The follow-up question was: What is on the other side of the door?
            For next week, we will explore what stands in the way of opening the door to others? Or to ourselves?
            It is my hope you will participate with us.

(Below is the description to my artwork above. The poem is a work in progress, as we all are.)

Mine is a door weathered and worn.
The years show.
It is a heavy door that slams as it closes—always.
The wood has faded and is rough as a cat’s tongue.
Still, the doors are noticeable. Admirable.
The handle is black, metal, cold. Silver in some places. Used.
Even if it is unlocked, it doesn’t open at first. A good tug is required.
The frame is vintage before it was cool. Standard and strong.
Cement and brick highlight the details in the woodworking.
The big bad wolf didn’t even bother to try. Sturdy. Often unsteady.
An original door. The conversation will happen.
“But the cracks are where the light gets in?”
The way is paved with Truth. Half-truths. Promise. Sarcasm. Fear. Hope.
“And where the energy escapes.”
The door is beautiful, a little messy, and charming. Dependable.
Notice the steps—a bit wonky and chipped.
The sun glares off the glass; what is on the other side is its reflection.
Ivy clings, weaves its way around the arch and waterfalls through, too.
The door is more than wood; it is the place where Wisdom enters.
Slipping messages under the door is easy since the sweep was swept away.
The threshold is all but gone; the jamb is unemployed.
Puzzling this door still works.
The hinges need oiling; the transom bows out; the strike plate picked too many times.
Love knocks on this secret door—
The door remains, though it changes, too.
Transparent, yet opaque. It is a knowing place only accessible by unknowing everything.
The Door of Divinity, yes—a channel of love.
Great Door of Love. Heavy Door. God, the 'Opener and Closer of Doors'--
I am the gate…” Jesus 
I am the Door…” Buddha
“A door opens in the center of our being and we seem to fall through it into the immense depths which, although they are infinite, are all accessible to us.” Merton
 The Center is on the other side.
The door swings free.
 The door is locked.
Listen.
Ask.
Wait.
The voice behind this door is my revelation, too:
I will come in and eat with you, and you with me…” 3.20
The Voice calls out to everyone; it knocks on this weathered and worn door.
Knock. With Wisdom, it is never a joke.
Open it--everything, everything, is waiting for you.